After a virtual year in 2020, Austin Fashion Week is coming back with in-person shows at The Domain on Friday afternoon.
The weekend will kick off with the first show at 1:30 p.m. on Friday and end with the final show at 3:30 p.m. on Sunday, celebrating Austin’s up-and-coming high fashion scene with six runway shows, more than 50 designers, pop-up shops and coinciding Domain store sales.
After a lifelong dream of becoming a fashion designer, this will be Brandy Hughes and Brandy Design Studio’s first time showing at AFW. Hughes returns to Austin as a designer’s apprentice after studying design at the Fashion Institute of Design and Merchandising in Los Angeles. Austin is where she got her start in the bridal sphere.
“Austin's such a weird kind of place—It's very creative and there's a lot of artistic people here,” Hughes said. “I think that it's going to get bigger and the one thing that's really good about doing fashion in Austin is you have a little bit more freedom to do the things that you want to do and be as crazy as you want.”
Hughes is showing her most recent collection on Friday’s 1:30 p.m. show, which officially came out two months ago, and features simple silhouettes for the wedding march.
Meanwhile, hailing from Dallas, Phillip White of Phit Clothing is set to appear for the third time at AFW. Inspired to begin an exercise journey but disappointed by the lack of variety in plus-size men’s activewear, White took matters into his own hands.
“Every brand that I was seeing out there, the fit was not correct and a lot of it was just very basic black and gray,” White said. “I saw everybody was sort of making the same thing. I kind of came up with my own brand of how I wanted activewear to be and it's very colorful and still flattering.”
His featured collection is based around his love of the Spice Girls growing up, which inspired him to create women’s and unisex clothes on top of men’s fashion for the first time in his career.
“I want it to look good on all body types,” White said. “My vision of the Spice Girls kind of represents everybody. For me, this collection was the perfect bridge for me to introduce women's, men's and unisex—there are a lot of pieces that I think are gender fluid and anybody could wear them.”
Designers attending come from all over—not just Austin—including Canada, the Philippines and Egypt. Don’t go alone, take this guide with you to get the most out of your ticket. Tickets for individual runways start at $50 and $135 for the whole weekend.
Here's a breakdown of fashion week.
1:30 p.m. Show
- Anmarie Design
- Brandy Design Studio
- Cognition Apparel
- Loka Haus
- The National Bureau of Product Research
- Phit Clothing
- The Salt Nomad
3:30 p.m. Show
- Korto Momolu
- AL+LU Apparel
- Iris Gil Designs
- Jhay Lawson
- Kneaded Fashion
- Toshimi Pacumbala
- Unlikely Designs
First up in the morning bracket is Anmarie Design, showing a collection that is two years in the making, and Sewreffic will take the stage last with a ready-to-wear collection.
Next up is Bchwood, showing a complete collection of "summer sexiness in sustainable fashion." The brand says all its garments are made in small batches and produced ethically in Ecuador.
- AJ Designs
- Nine & Beyond
- Onyx d'Or
- SA Studio
- Shahira Lasheen
- Turtle Cay Island Wear
- Yoli & Co.
- Daniel Esquivel
- Any Old Iron
- Art Institute of Austin
- Camille Cannell
- Christina Ward
- Heirlume Couture
- Joseph Ledesma
- Kweens Royal Tees
Showcasing asymmetry and the many traits of femininity, AJ Design is an Egpytian-based prêt-à-porter brand with outfits for any occasion.
- Brittany Allen
- Caycee Black
- Bosses in Style
- Chellie Friday
- Hello Kaiya
- Jen Ley Designs
- Vee Rodriguez
- Mysterious by NPN
- Art IV Play
- Diana Boch
- FiFi x Fashion House
Brittany Allen's clothes are about the motivated woman, mixing soft and powerful shapes in the contemporary sphere. With French seams incorporated for the value of high fashion, Allen describes her brand as a mix between Dolly Parton and Betsey Johnson.
Make it work!
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As summer temperatures continue to increase, so does Austin's "Party Island"—a hundreds-strong army of kayakers and paddle boarders who gather each weekend in the middle of Lady Bird Lake.
Born from the pandemic, the swarm of paddleboarding partiers has continued to grow each summer and can be seen from the nearby Lamar Boulevard Bridge. And while "Party Island" certainly lives up to one half of its name, it's not actually an island at all: instead, it's located at a shallow sandbar near Lou Neff Point.
With beers, burgers from portable grills and even DJ turntables in hand, more friends and strangers continue to beat the heat in new ways at the distinct Austin hangout.
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If you are a committed, grunge-wearing resident of the Pacific Northwest, it is easy–almost automatic–to look at Texas as an extraordinarily dry, hot and culturally oppressive place that is better to avoid, especially in the summer. Our two granddaughters live with their parents in Portland.
Recently we decided to take the older girl, who is 15, to Dallas. Setting aside the summer heat, a Portlander can adjust to the vibes of Austin without effort. So let’s take Texas with all of its excesses straight up. Dallas, here we come.
Our 15-year-old granddaughter and her sister, 12, have spent summer weeks with us, usually separately so that we could better get to know each individually. In visits focused on Austin and Port Aransas, the girls seemed to be developing an affection for Texas.
Houston and Dallas are two great American cities, the 4th and 9th largest, each loaded with cultural treasures, each standing in glittering and starchy contrast to Austin’s more louche, T-shirts and shorts ways.
Three hours up I-35, Dallas loomed before us as a set of gray skyscrapers in a filmy haze, accessed only through a concrete mixmaster of freeways, ramps and exits. I drove with false confidence. Be calm, I said to myself, it will all end in 10 minutes under the hotel entrance canopy. And it did.
The pool at the Crescent Court Hotel in Dallas. (Crescent Court Hotel)
We stayed three nights at the Crescent Court Hotel ($622 a night for two queens), a high-end hotel in Uptown, patronized by women in white blazers, business people in suits, and tall, lean professional athletes, their shiny Escalades and Corvettes darting in and out, and other celebrities like Bill Barr, the former attorney general who shoe-horned his ample self into a Toyota.
Each morning as I walked to Whole Foods for a cappuccino, a fellow identified by a bellman as Billy the Oilman arrived in his Rolls Royce Phantom. Where does he park? “Wherever he wants to. He likes the Starbucks here.”
We garaged our more modest set of wheels for the visit. We were chauffeured for tips by Matt Cooney and Alfonza “The Rev” Scott in the hotel’s black Audi sedan. They drove us to museums, restaurants and past the enclaves of the rich and famous. In Highland Park, The Rev pointed out the homes of the Dallas Cowboys' Jerry Jones and Troy Aikman along with the family compound of the Hunts, oil and gas tycoons.
The Dallas Museum of Art’s “Cartier and Islam” exhibit (until Sept. 18) attracted an older crowd; the nearby Perot Museum of Nature and Science was a powerful whirlpool of kids’ groups ricocheting from the Tyrannosaurus Rex to the oil fracking exhibit. Watch your shins.
A Geogia O'Keeffe oil painting called "Ranchos Church, New Mexico" at the Amon Carter Museum of Modern Art. (Rich Oppel)
For us, the best museum was the Amon Carter Museum of Modern Art in Fort Worth, a 50-minute, madcap drive away via a 75 mph toll lane along I-30. Don’t try it during rush hour. The Carter has an exquisite collection of Remington paintings and sculptures and an excellent array of 19th and 20th-century paintings as well. Pick one museum? The Amon Carter. Peaceful, beautiful, uncrowded, free admission and small enough to manage in two hours.
The Fort Worth Stockyards, a place of history (with a dab of schmaltz), fun and good shopping, filled one of our mornings. The 98 acres brand the city as Cowboy Town, with a rodeo and a twice-daily (11:30 a.m. and 4 p.m.) cattle drive. We shopped for boots, drank coffee and watched the “herd” of 18 longhorns. So languid was their progress that if this were a real market drive the beef would have been very tough and leathery before it hit the steakhouse dinner plate.
The cattle drive at the Fort Worth Stockyards. (Rich Oppel)
But we could identify: the temperature was 97. “I saw a dog chasing a cat today,” said the emcee, deploying a very old joke. “It was so hot that both were walking.”
With limited time, we chose three very different restaurants:
- Nobu, in the Crescent Court Hotel; Jia, a modern Chinese restaurant in Highland Park; and Joe T. Garcia’s in Fort Worth. Nobu’s exotic Japanese menu set us back $480, with tip, for four (we had a guest), but it was worth it.
- Jia was an ordinary suburban strip mall restaurant, but with good food and a reasonable tab of $110 for four.
- Joe T.’s is an 85-year-old Fort Worth institution (think Matt’s El Rancho but larger), a fine Mexican restaurant where a meal with two drinks was $115.
Sushi at high-end restaurant Nobu. (Crescent Hotel)
It was all a splurge for a grandchild’s visit. Now we will get back to our ordinary road trips of Hampton Inns, where a room rate is closer to the Crescent Court’s overnight parking rate of $52. And to corner cafes in small towns.
Did Dallas change our 15-year-old’s view of Texas? “Yes. I think it’s a lot cooler than I did. The fashion, the food.” So, not only Austin is cool. Take Texas as a whole. It’s a big, complex, diverse and wonderful state.