Austin's East 11th Street, with its brunch crowds and boutiques, is a slick and shining example of the gentrification that has taken over what was once designated by the city as the old "negro district."
For long term residents of the historically Black neighborhood, the upscale office spaces and vintage apparel shops are little more than blunt reminders that the once-familiar streets are no longer theirs.
Brenda Mims Malik, president of the Holy Cross Neighborhood Association, describes the "horrific" effects of gentrification as a total disappearance of community and cohesion.
"We had businesses, Black-owned businesses, up and down 11th Street and now you can maybe count them on one hand, and I don't think you could get to five," says Malik. "And 12th Street is the same way, so, yeah, it has been a very rapid deterioration of Black-owned businesses and homes."
Malik, who in the late 1970s and early '80s worked as a project manager for the Robertson Hill HUD project, helped bring basic services such as alley trash pick-up, street lighting and sidewalk paving to the area she grew up in. She recalls a world of Black-owned restaurants, clubs, newspapers and theaters.
She says it all changed in the span of 20 years.
Prior to this current gentrification, East 11th Street was almost entirely Black and this was no accident. Almost a decade after the U.S. Supreme Court ruled segregation zoning laws were illegal, the city of Austin put into action its "1928 Master Plan" to create a "Negro District" in East Austin. In order to motivate Black residents to move to the area, the city placed the only public schools that Black residents could attend there.
East Austin is now, of course, a highly coveted area for developers to build in and for newcomers to settle into. Between 2011 and 2014 the median home price in East Austin's 78702 ZIP code tripled from $125,000 to $375,000.
"What happens is developers will offer daily incentives for our residents to move out," says Malik.
"It is an aging population," she adds. "What happens is that when they pass on. Instead of having generational wealth, the inheritors, the children of those folks who have passed on are confronted with higher taxes and sometimes higher mortgages that they cannot pay. Some look at the offer and see it as a way to get some money very quickly. So they take that offer and they move out."
The problem with inheritance
Pat Calhoun, who took over the taxes for the East Austin home her parents built in 1960 (located in the Rogers-Washington-Holy Cross Historic District) when her mother died in 2015, speaks to the difficulty of inheriting property in a historic district that has suddenly become hot property.
Prior to inheriting the home, Calhoun had been assisting her mother, who had benefited from a homestead exemption, with the property taxes for over a decade.
"What I would come to realize is the inequity for heirs," Calhoun explains. "If you inherit a home it is treated as though you purchased the home as a new buyer and that, to me, is not equitable because you're not purchasing the home. You have an inherent tie to the home. "
Calhoun added that this tax pressure can accelerate displacement.
"There are a lot older heirs who are unable to stay in the homes," says Calhoun. "Whilst I helped my mom in her later years, I was paying the taxes and I inherited the home. She passes away and I go ahead and move here permanently and suddenly my taxes are almost three times what I had been paying: from $2,500 to almost $9,000 and that's very difficult to sustain, particularly when you are retired. Consequently I can't retire."
As a result, many people opt to sell their homes, which may be their only asset.
"And you think of how our parents and relatives endured unequal salaries but they managed, they sacrificed, they built homes, they purchased homes and the next generation to just lose them ... it's just hard to take," Calhoun said.
Raul Alvarez, whose non-profit group East Austin Conservancy seeks to help families with tax relief, calls it a travesty.
"History is repeating itself," he says referring to Austin's 1928 master plan. "The Black and brown people used to live downtown and when the city wanted to redevelop downtown and basically kick Black and brown people out of downtown … it seems like that's what's happening again."
How gentrification happens
Daniel Llanes, a 71-year-old artist and activist who has lived in Austin since he was 25 describes East Austin as "the classic gentrification take over of a Black area."
"Dear God, there ain't no Black culture left," he says. "The children of the people who grew up here cannot buy houses here."
As an artist who lived in West Austin for 22 years before moving to East Austin in 1997, Llanes sees even his own move to the area as typical of how gentrification occurs.
"West-side artists could not afford to live in west-side Austin anymore, so in the late 1990s (and) early 2000s a lot of them started moving to the East side because it was cheaper to rent here. That's the first domino effect of displacement of Black and brown people," says Llanes.
Ricardo Lowe, a research associate for the Institute for Urban Policy Research & Analysis at the University of Texas at Austin, points out that the two main factors that are leading to the diaspora of East Austin are affordability and education.
Between 2000 and 2010 Austin's Black population was the only population in the nation that had declined in a large metropolitan city. Lowe points to research done by University of Texas' Dr. Eric Tang, who sought to identify the causes behind this Black migration out of East Austin.
(Institute for Urban Policy Research and Analysis and Division of Diversity and Community Engagement)
The research identifies housing affordability as the leading cause for the migration to East Austin. The second leading cause was for the schools.
As Lowe explains AISD "is incentivizing displacement and gentrification in a way by ensuring that the quality of the schools remains limited and once they do create an alternative, those new facilities are going to be there as a marketing strategy to appeal to those incoming families who are moving to East Austin and are of higher means."
Lowe is suspicious of Austin's recent plans to close older schools and replace them with new buildings.
Blackshear Elementary School still stands today. It is unknown when this photo was taken.(Austin History Center)
"Who are these schools for? Are these schools for this new population that you are expecting to have in the future or are these schools really for our kids?" he said. "That is the war that is happening right now in East Austin. People making decisions on where they want to live are very tied to local schools."
What this means for Austin's Black residents
Lowe views the atmosphere of change in East Austin as absolutely demoralizing to the local Black community.
"Now if you got on 11th street now you're going to see condos, and different things like that that doesn't make East Austin even look the same. You see the graffiti in some of these spaces there, there's a Jamaican restaurant there, there's things there that are set to preserve the cultural significance of Black people in Austin, but the people there— they're not, they're not there anymore, a lot of them are being gentrified out," says Lowe.
Lowe see's the underlying problem as systemic racism. He says the story of East Austin is not just one of gentrification and displacement, but it is also the story of how institutions continue to persist on making it difficult for people just to remain put. People are being forced to move out of the area when they can't pay for the cost of living.
"It is apparent that Austin is becoming a city that in order for you to live in, you have to contribute to that economy, because Austin wants to become a global economy," says Lowe. "Those who are not able to participate in making the global city more economically profound are finding it increasingly difficult to live there."
Roxanne Evans, member of the East Austin Coalition for Quality Education, says she believes the city is committed to affordable housing which will slow the rate of gentrification, and she hopes families who have left the area will be drawn back to the area.
"Progress is well and good, development is well and good, but not if it pushes people out and changes the whole nature of the community," says Evans.
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After months of speculation, a new report says political personality Beto O'Rourke is mulling a run for Texas governor that he will announce later this year.
Sources tell Axios the former congressman is preparing his campaign for the 2022 election, where he will likely vie for the position against incumbent Gov. Greg Abbott. The only other candidate that has announced he will take on Abbott for governor is former Texas GOP Chairman Allen West—no Democrats have announced they are running as of yet.
"No decision has been made," Axios reports David Wysong, O'Rourke's former House chief of staff and a longtime adviser, said. "He has been making and receiving calls with people from all over the state."
A new poll from The Dallas Morning News and University of Texas at Tyler shows O'Rourke is narrowing the gap between himself and Abbott's prospects for governor. In the poll, 37% said they'd vote for O'Rourke over Abbott, while 42% said they'd vote for Abbott.
Abbott has been in the hot seat due to his handling of COVID-19 and the signing of landmark legislation into law, including new abortion and voting rights laws; 54% of poll respondents voted they think the state is headed in the "wrong direction." Still, Texas hasn't had a Democrat as governor since the 90s.
O'Rourke's people-focused approach to the 2018 Senator race, which he lost to Sen. Ted Cruz, gave him a widespread following and many hoped he'd throw his hat into the ring since he said he was considering it earlier this year.
"We hope that he's going to run," Gilberto Hinojosa, the state chair of the Democratic Party, told Axios. "We think he'll be our strongest candidate. We think he can beat Abbott because he's vulnerable."
Austin rapper Jordi Esparza may not have won the 2021 Red Bull Batalla, the world's largest Spanish freestyle rap competition, but for a spirited two rounds, the 22-year old Mexican native looked like he had every right to.
On Saturday evening in Los Angeles, the event itself looked like Cobra Kai meets Star Search with graphics adding a very Batman Beyond aesthetic. Over a dozen rappers hoping to represent the U.S. in the international round of the competition took to the stage with in-your-face jabs at accents, sexual orientation and odors, among other things.
This was Esparza's second rodeo; he had placed third at the 2020 National Finals, automatically securing him a spot this year.
However, things were different this year. He was not nervous about the contest. Unlike in 2020, when he made his Red Bull Batalla debut, the anxiety of the event led him to "feeling so bad."
Affecting a casual calm, the locally-based landscaper said he just felt "so relaxed, so happy" and primarily wanted to "enjoy everything."
Choosing his first-round opponent, Esparza, whose stage name is Jordi, elected to go against LA-based Boss.
Esparza freestyled an attack on his opponent's weight and cholo style of dress.
Boss—bracketing his Latin freestyle with English appeals to the crowd—mocked Jordi's lack of education, made fun of how clean Jordi's shoes looked and suggested that Jordi just came back from a Footlocker.
That first round went to Jordi.
But his next opponent Eckonn would prove to be his undoing.
Eckonn compared Jordi to Hannah Montana, while Jordi soulfully explained that he had learned from the best.
Esparza's verbal dexterity is matched by a rattling rhythm and a game face that is as mawkish as it is mockish. The overall effect is that of an underdog with bite.
Eckonn beat Esparza in that round with the overall championship going to Palm Beach-based rapper Reverse.
However, Esparza was just happy to be there. He recently told Austonia going to the finals again was a dream come true—a pinnacle that he said he won't know how to top.
With his nimble jabs and sneaky prowess, honed from pop culture and the swagger of a young working man hungry to be more, Jordi Esparza is just getting started.